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Dept. of English & Comparative Literature, SJSU MA Exam Reading List: Group 3
Contemporary Literary Theory & Criticism
The field of literary theory and criticism is vast and encompasses many different classical and modern literary traditions across the world. The MA exam, however, focuses primarily on contemporary Western theory and criticism. This reading list is therefore intended to provide a broad understanding of the major models of contemporary theory and criticism through a selection of representative authors/texts. By way of providing a historical background and context to these contemporary theories, the reading list includes a small selection of foundational texts/authors from the Classical and Romantic periods. In addition, the list incorporates a guide that illustrates how each theoretical model can be applied to analyze and interpret literary works.
Readings
Required
- Unless otherwise indicated, all readings are provided as excerpts in The Norton Anthology of Theory and Criticism. Material not in Norton will be provided as links or pdfs in a password protected area, e.g., Canvas.
- Lois Tyson’s Critical Theory Today: a User-Friendly Guide (latest edition) This critical reader provides a definition of each theoretical model and then demonstrates how to apply each theoretical model to a literary text.
Recommended
For a concise historical overview of each critical model, see Johns Hopkins Database of Criticism and Theory (SJSU library log-in required)
Classical
PLATO (ca. 427–ca. 347 B.C.E.) From Phaedrus, Ion, & Book VII & X of The Republic ARISTOTLE (384–322 B.C.E.) From Poetics
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Romantic
JOANNA BAILLIE (1762-1851)
“Introductory Discourse” to Plays on the Passions ANNA BARBAULD (1743-1825) “On the Pleasure Derived from Objects of Terror” (on Internet Archive or Project Gutenberg) EDMUND BURKE (1729-1797) A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful From Part I. Sections I-VIII From Part III. Section XXVII SAMUEL TAYLOR COLERIDGE (1772-1834) From Biographia Literaria Vol. 1 - From Chps. 1, 4, 13 Vol. 2 - From Chp. 14 WILLIAM WORDSWORTH (1770–1850) Preface to Lyrical Ballads, with Pastoral and Other Poems (1802) PERCY BYSSHE SHELLEY (1792-1822) From A Defence of Poetry
Contemporary
1. Formalism & New Criticism
T. S. ELIOT (New Criticism) “Tradition and the Individual Talent” MINDA RAE AMIRAN (New Criticism) “Some Paradoxes of New Criticism” (2013) in The New Criticism: Formalist Literary Theory in America , Cambridge (3-26) ( PDF) CLEANTH BROOKS (Formalism) The Well Wrought Urn: Chapter 11. “The Heresy of Paraphrase”
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PAUL DE MAN
Allegories of Reading : Chapter 1: “Semiology and Rhetoric” BARBARA JOHNSON “Melville’s Fist: The Execution of Billy Budd ” Studies in Romanticism Vol. 18, No. 4, “The Rhetoric of Romanticism” (Winter, 1979), pp. 567 - 599 (JSTOR access; SJSU library log-in required)
4. Psychoanalysis
SIGMUND FREUD
The Interpretation of Dreams From Chapter V. “The Material and Sources of Dreams” From Chapter VI. “The Dream-Work” From “The Uncanny” JACQUES LACAN “The Mirror Stage as Formative of the Function of the I” “The Signification of the Phallus” CARL JUNG “On the Relation of Analytical Psychology to Poetry” The Spirit in Man, Art and Literature. 4th ed. Princeton University Press. (1978) ( PDF ) LAURA MULVEY “Visual Pleasure and Narrative Cinema”
5. Marxism
KARL MARX (1818-1883) and FRIEDRICH ENGELS From The Communist Manifesto From Preface to A Contribution to the Critique of Political Economy Capital , Volume 1 From Chapter 1. “Commodities” From Chapter 10. “The Working-Day” LOUIS ALTHUSSER From Ideology and Ideological State Apparatuses RAYMOND WILLIAMS “Base and Superstructure in Marxist Cultural Theory”
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BENITA PARRY
“Edward Said and Third World Marxism” College Literature , vol. 40 no. 4, 2013, p. 105-126. (ProjectMuse; requires SJSU log-in) “Problems in Current Theories of Colonial Discourse” Oxford Literary Review Vol. 9, No. 1/2, (1987), pp. 27-58 (JSTOR; requires SJSU log-in)
6. New Historicism
MICHEL FOUCAULT
“Discipline and Punish: The Birth of the Prison” The History of Sexuality Volume 1, An Introduction Part 4 of Ch 2 on Method MIKHAIL M. BAKHTIN From Discourse in the Novel STEPHEN J. GREENBLATT From “ Resonance and Wonder” CATHERINE GALLAGHER “Marxism and the New Historicism” in The New Historicism. Ed. Veeser. Taylor & Francis, 1989. ( PDF )
7. Race Criticism
W. E. B. DU BOIS
The Souls of Black Folk From Chapter 1. “Of Our Spiritual Strivings Criteria of Negro Art” TONI MORRISON From “Unspeakable Things Unspoken: The Afro-American Presence in American Literature” GLORIA ANZALDÚA Borderlands/La Frontera: The New Mestiza Chapter 7. “ La conciencia de la mestiza: Towards a New Consciousness” HENRY LOUIS GATES JR. “Talking Black: Critical Signs of the Times”
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HÉLÈNE CIXOUS
“The Laugh of the Medusa” JULIA KRISTEVA Revolution in Poetic Language From Part 1. “The Semiotic and the Symbolic”
10. Postmodernism
JEAN-FRANÇOIS LYOTARD
“Defining the Postmodern” FREDRIC JAMESON “Postmodernism and Consumer Society” BELL HOOKS “Postmodern Blackness”
11. Reader Response
WOLFGANG ISER
“Interaction between Text and Reader” LOUISE ROSENBLATT “Evoking a Poem” in The Reader, the Text, The Poem: The Transactional Theory of Literary Work. Southern Illinois University Press, 1994. 48 - 70 ( PDF ) JANE TOMPKINS “The Reader in History” in Reader-response Criticism: From Formalism To Post-structuralism. Johns Hopkins UP, 1980. 201-232. ( PDF) STANLEY FISH Is there a Text in This Class? The Authority of Interpretive Communities Chapter 14. “How to Recognize a Poem When You See One”
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12. Queer Theory
JUDITH BUTLER
Gender Trouble From Preface From Chapter 2. “Subversive Bodily Acts” JUDITH (JACK) HALBERTSTAM Female Masculinity From Chapter 1. “An Introduction to Female Masculinity: Masculinity without Men” EVE KOSOFSKY SEDGWICK Between Men: English Literature and Male Homosocial Desire From Introduction BONNIE ZIMMERMAN “What Has Never Been: An Overview of Lesbian Feminist Literary Criticism” Feminist Studies Vol. 7, No. 3 (Autumn, 1981), pp. 451-475 (JSTOR; requires SJSU log-in)
13. Disability Studies
LENNARD J. DAVIS
Enforcing Normalcy: Disability, Deafness, and the Body From Chapter 6. “Visualizing the Disabled Body: The Classical Nude and the Fragmented Torso”
14. Digital Humanities
Definition of “Digital Humanities” in Wikipedia MATTHEW K. GOLD “Introduction” Debates in the Digital Humanities (2012) MATTHEW KIRSCHENBAUM “What is Digital Humanities” Debates in Digital Humanities (2012)
Contemporary Theory & Criticism 10 Sample Questions:
- Choose three different theories from the list below to analyze this poem. Poem: Harlem (Langston Hughes) Theory list: Semiotics Deconstruction Feminism Psychoanalysis Marxism
- Below are three short excerpts of literary criticism on Toni Morisson’s Beloved. Examine each one carefully. Then, identify the theoretical approach used in each case; explain how you can tell by briefly discussing (a) what assumptions about language/literature the critic makes (b) what terms the critic uses (c) what aspects of the text the critic focuses on/leaves out, and (d) what kind of evidence the critic gives to support arguments/claims. Conclude with a brief comment on how useful or persuasive you find each approach. Be clear, specific, and to-the-point.
- As literary criticism has moved into the late 20th and 21st centuries, theories have been developed to give rise to variant voices and methodologies, including New Historicism, Ecocriticism, Disability Studies, and Digital Humanities. How do these four critical models build on early 20th-century critical models such as Formalism, New Criticism, Semiotics, or Deconstruction?
